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Meet the Theatrical Feature Film Nominees Highlights

Aaron Sorkin on his appreciation for crosstalk in THE TRIAL OF THE CHICAGO 7

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Meet the Theatrical Feature Film Nominees Highlights

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2:08
Paul Thomas Anderson on the long take that opens LICORICE PIZZA
Paul Thomas Anderson on the long take that opens LICORICE PIZZA
1:37
Kenneth Branagh on realizing the perspective of a child in BELFAST
Kenneth Branagh on realizing the perspective of a child in BELFAST
2:53
Jane Campion on diving into the psyche of the characters in THE POWER OF THE DOG
Jane Campion on diving into the psyche of the characters in THE POWER OF THE DOG
1:37
Denis Villeneuve on researching the spice hallucinations of DUNE
Denis Villeneuve on researching the spice hallucinations of DUNE
1:18
Steven Spielberg on creating the "balcony scene" in WEST SIDE STORY
Steven Spielberg on creating the "balcony scene" in WEST SIDE STORY
1:33
Lee Isaac Chung on adapting his rehearsal process in MINARI
Lee Isaac Chung on adapting his rehearsal process in MINARI
1:21
Emerald Fennell on directing Bo Burnham in PROMISING YOUNG WOMAN
Emerald Fennell on directing Bo Burnham in PROMISING YOUNG WOMAN
1:25
David Fincher on his penchant for numerous takes in MANK (and other works)
David Fincher on his penchant for numerous takes in MANK (and other works)
1:10
Aaron Sorkin on his appreciation for crosstalk in THE TRIAL OF THE CHICAGO 7
Aaron Sorkin on his appreciation for crosstalk in THE TRIAL OF THE CHICAGO 7
1:31
Chloe Zhao on the dreaded "final check" during a scene in NOMADLAND
Chloe Zhao on the dreaded "final check" during a scene in NOMADLAND
2:09
Sam Mendes on the realities of death in 1917
Sam Mendes on the realities of death in 1917
1:30
Bong Joon Ho on the visual effects he used to combine different takes in PARASITE
Bong Joon Ho on the visual effects he used to combine different takes in PARASITE
2:41:00
Meet the 2020 DGA Nominees for Theatrical Feature Film
Meet the 2020 DGA Nominees for Theatrical Feature Film
2:11
Quentin Tarantino on how the ending ONCE UPON A TIME.. IN HOLLYWOOD evolved from script to screen
Quentin Tarantino on how the ending ONCE UPON A TIME.. IN HOLLYWOOD evolved from script to screen
1:15
Martin Scorsese on working on set with Robert de Niro and Joe Pesci on the set of THE IRISHMAN
Martin Scorsese on working on set with Robert de Niro and Joe Pesci on the set of THE IRISHMAN

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