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Meet the Theatrical Feature Film Nominees Highlights

Brady Corbet on filming in Vistavision and using his camera creatively in a chaotic sequence for THE BRUTALIST

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Meet the Theatrical Feature Film Nominees Highlights

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2:03
Jacques Audiard on conveying story through the opening dance scene's choreography in EMILIA PERÉZ
Jacques Audiard on conveying story through the opening dance scene's choreography in EMILIA PERÉZ
2:30
Sean Baker on working with Mikey Madison to get the perfect take in the ending scene of ANORA
Sean Baker on working with Mikey Madison to get the perfect take in the ending scene of ANORA
1:58
Edward Berger on using his camera to sympathize with Ralph Fiennes' point of view in CONCLAVE
Edward Berger on using his camera to sympathize with Ralph Fiennes' point of view in CONCLAVE
2:11
Brady Corbet on filming in Vistavision and using his camera creatively in a chaotic sequence for THE BRUTALIST
Brady Corbet on filming in Vistavision and using his camera creatively in a chaotic sequence for THE BRUTALIST
2:31
James Mangold on the staging and camera perspectives behind the final concert scene in A COMPLETE UNKNOWN
James Mangold on the staging and camera perspectives behind the final concert scene in A COMPLETE UNKNOWN
1:49
Greta Gerwig on working with Ryan Gosling to frame Ken as a tragic figure in BARBIE
Greta Gerwig on working with Ryan Gosling to frame Ken as a tragic figure in BARBIE
2:26
Yorgos Lanthimos on the exercises he does with his actors in rehearsal for POOR THINGS
Yorgos Lanthimos on the exercises he does with his actors in rehearsal for POOR THINGS
2:41
Christopher Nolan on the practical effects work that went into OPPENHEIMER
Christopher Nolan on the practical effects work that went into OPPENHEIMER
2:03
Alexander Payne on casting Dominic Sessa as a first-time Actor in THE HOLDOVERS
Alexander Payne on casting Dominic Sessa as a first-time Actor in THE HOLDOVERS
2:56
Martin Scorsese on restructuring his approach to the story after listening to accounts from the Osage when making KILLERS OF THE FLOWER MOON
Martin Scorsese on restructuring his approach to the story after listening to accounts from the Osage when making KILLERS OF THE FLOWER MOON
1:48
Daniel Kwan and Daniel Scheinert on how they directed Stephanie Hsu to "blow up the movie" in EVERYTHING EVERYWHERE ALL AT ONCE
Daniel Kwan and Daniel Scheinert on how they directed Stephanie Hsu to "blow up the movie" in EVERYTHING EVERYWHERE ALL AT ONCE
1:35
Todd Field on the technical coordination that went into the climactic scene of TÁR
Todd Field on the technical coordination that went into the climactic scene of TÁR
1:56
Joseph Kosinski on filming the final scene at the last minute in TOP GUN: MAVERICK
Joseph Kosinski on filming the final scene at the last minute in TOP GUN: MAVERICK
1:53
Martin McDonagh on rehearsing with Brendan Gleeson to uncover his character in THE BANSHEES OF INISHERIN
Martin McDonagh on rehearsing with Brendan Gleeson to uncover his character in THE BANSHEES OF INISHERIN
1:45
Steven Spielberg on having his Actors bring their own specialties to their characters instead of doing impressions of his family in THE FABELMANS
Steven Spielberg on having his Actors bring their own specialties to their characters instead of doing impressions of his family in THE FABELMANS

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